Conditions of Entry 1 (Home) • Conditions of Entry 2 • Enter • Payment • Status • Catalogs • Privacy Policy • Disqualifications • Subscribe
This Coachella Exhibition is now in its 15th year.
The Sponsor of this Exhibition is the Coachella Valley Desert Camera Club (CVDCC).
The Exhibition Organizers refers to the General Chair of the Exhibition, appointed by the Sponsor,
and others delegated by the General Chair to assist with the organization and operation of the Exhibition.
PSA refers to the Photographic Society of America.
This Coachella Exhibition is recognized by PSA (2022-126).
By entering this exhibition, you are explicitly consenting to the personal details you have supplied, including email addresses, being held, processed and used by the exhibition organizers for purposes associated with this exhibition. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this exhibition. You acknowledge and accept that entering this exhibition means that the status and results of your entry may be made public.
Before entering this exhibition, an entrant will be required to affirm that she or he has read these Conditions of Entry.
If the entrant does not so affirm, he or she will not be permitted to enter.
Please see the Home Page (Conditions of Entry 1) for information on the Exhibition Schedule, Awards, and Judges.
Digital entries must be entered using the online entry process found here.
CDs and email attachments are NOT permitted.
Entrants are automatically subscribed to the Coachella/S4C combined mailing list.
This is a required condition of entry and is the sole means via which exhibition results and other key information
is communicated to entrants.
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with FIAP patronage or PSA recognition is that the welfare of living creatures is more important than any photograph.
This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with FIAP patronage or PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. This rule applies regardless of whether or not the creature being killed, injured or stressed is visible in the captured image.
There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment. Further details on the PSA's drone policy may be found at https://psa-photo.org/index.php?psa-policies#drone.
Entry in this exhibition is conditional on accepting these policies. The content of images must comply with these General Conditions and with the Division and Section definitions listed in these Conditions of Entry. Images that - in the sole opinion of the judges or the Exhibition Organizers - do not comply, will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with FIAP patronage/PSA recognition.
General Conditions
- What You Need To Know!
- Do's and Don'ts!
-Thank You For Entering Our Exhibition!
US$12 (Exhibition Fee) plus US$6 per Section.
- Anyone Can Enter (almost)!
-How We Run Our Exhibition!
-What You Are Agreeing To!
Breaches of Rules: If, at any time, it is determined in the reasonable discretion of the exhibition organizer or the judges before, during, or after the judging of an exhibition that an entrant has submitted entries where one or more images may fail to comply with these Conditions of Entry, including the stated definitions, the exhibition organizers reserve the right to delete the entry from the exhibition and void any or all acceptances or awards in connection with the exhibition. Fees may be forfeited or refunded in these circumstances. The entrant acknowledges that the decision of the exhibition organizers or the judges is final
In order to ensure that images comply with the Conditions of Entry and definitions, the exhibition organizers may carry out reasonable measures to verify that:
a) the images are the original work of the entrant and
b) the images comply with the rules and definitions as set out in these Conditions of Entry
These steps include, but are not limited to, questioning any entrant, requiring the submission of RAW files or other digital files representing the original capture of the submitted image(s), confronting the entrant with evidence that one or more submitted images fails to comply with the Conditions of Entry (also known as Entry Rules), and offering the entrant a reasonable opportunity to provide counter evidence to refute the exhibition organizer’s evidence by a set deadline. Such entries that are not cleared or are still questionable after the entrant has presented evidence may be considered in breach of these Conditions of Entry, and declined. Such entries may be referred to PSA for further investigation of possible ethics violations
PSA retains the right to investigate in any way all complaints/suspicions of breaches of entry conditions, impose sanctions if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrant’s name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP. Entrants automatically agree to these terms by the act of entering the Exhibition and agree to cooperate with any investigation.
If another party is submitting images on the entrant’s behalf, the entrant will still be held responsible for adhering to these Conditions of Entry (Entry Rules) and will be subject to sanction for any violations to these Conditions of Entry and PSA’s Statement of Ethics that may result. If another party is processing images for an entrant or submitting images on the entrant’s behalf, the entrant will still be held responsible for adhering to all Conditions of Entry including the specific conditions in the relevant definitions.
There are two sections, Color General and Color Theme (Water).
Please click here to enter or use the tab above.
Color images will be judged both for their technical and pictorial merit. The image should be properly exposed, be appropriately in focus, and have appropriate depth of field. The image should have strong composition, pleasing quality, and color impact.
IMPORTANT NOTE: Images eligible for entry into PID Monochrome Class (see below) may NOT be entered into this Exhibition's PID Color Class. Spot color images with a greyscale background, however, may be entered.
Images must meet the requirements of the General Conditions at left.
Section 1: Color General
There are no other restrictions on content.
Section 2: Color Theme: Water
Any image eligible for entry into Section 1 must be DOMINATED by water as the main subject of interest. All uses of water are permitted.
There are two sections, Monochrome General (Open) and Monochrome Theme (Transportation).
Please click here to enter or use the tab above.
See Note 16 of General Conditions at left for special requirements on titling the same capture being entered into PID Monochrome and PID Color Classes.
Images must meet the requirements of the General Conditions at left.
Requirements for a Monochrome Image
(applies to both
sections):
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white) OR it gives the impression of being a grayscale image that has been toned in one color across the entire image (for example by sepia, red, gold, etc.).
A grayscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
Monochrome images may not be entered into PID Color sections.
For the purposes of this exhibition:
Borders, if any, must be colored the same as the overall image, that is, in shades of grey for a greyscale image; or toned in the same color as the rest of the image for a toned image. Pure black and pure white are acceptable shades of any color.
Monochrome images are judged both for their technical and pictorial merit. The image must be properly exposed, be in focus, and have appropriate depth of field. A monochrome image should have strong composition; pleasing quality; and texture, pattern, and/or tone impact. The content is unrestricted.
Section 1: Monochrome General
Any Monochrome Image may be entered into this Section. The content is unrestricted.
Section 2: Monochrome Theme: Transportation
Any monochrome image eligible for entry into Section 1 that is DOMINATED by a center of interest that brings the subject of transportation immediately to mind, whether the transportation of objects or living creatures. Transportation is the act or process of moving objects or living things from one place to another. A bird flying or a person walking would NOT be considered transportation.
There are two sections, General and Wildlife.
Please click here to enter or use the tab above.
Images must meet the requirements of the General Conditions at left.
For the purposes of this Exhibition any border added must be a single border of white or grey, between 3 and 5 pixels in width. (Entrants are, however, advised that borders of less than 5 pixels may appear incomplete in the smaller images used in the final Catalog due to jpeg artifacts.).
Requirements for Nature Photography
(applies to both sections):
Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.
Nature images must convey the truth of the scene that was photographed. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections. This is shown at the top of this page.
Only Wildlife photographs may be entered in the Wildlife Section. Photos elible for the Wildlife Section may also be entered in the General (Open) Section (subject to the Re-Entry rules in General Conditions above).
Section 1: General
Images entered into this Section may be any image that meets the above requirements for Nature Photography.
Images entered in Nature Open/General meeting these requirements can have landscapes, geologic formations, weather phenomena, and extant (that is, still in existence) organisms as the primary subject matter. This includes images taken with the subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
Section 2: Wildlife
Images entered into this Section must meet the above requirements for Nature Photography. In addition:
In addition to the restrictions on Nature photography, to be eligible for any Wildlife award images must meet the following conditions:
Landscapes, geologic formations, photographs of zoo or game farm animals, or of any extant zoological or botanical species taken under controlled conditions are NOT eligible in Nature Wildlife sections in this Exhibition.
In this Exhibition, Nature Wildlife is not limited to animals, birds and insects. Marine subjects and botanical subjects (including fungi and algae) taken in the wild are suitable wildlife subjects, as are carcasses of extant species.
(Entrants are encouraged to read here for further clarification)
There are two sections: Photojournalism General and Photojournalism Human Interest.
Please click here to enter or use the tab above.
Images must meet the requirements of the General Conditions at left.
For the purposes of this Exhibition, toned images are not allowed in Photojournalism sections. Any monochrome image entered must be greyscale monochrome.
For the purposes of this Exhibition, vignettes and fisheye techniques are not allowed.
For the purposes of this Exhibition any border added must be a single border of white or grey, between 3 and 5 pixels in width. (Entrants are, however, advised that borders of less than 5 pixels may appear incomplete in the smaller images used in the final Catalog due to jpeg artifacts.)
Section 1: Photojournalism General: Photojournalism entries are images with informative content and emotional impact, reflecting the human presence in our world. The journalistic (story-telling) value of the image should receive priority over pictorial quality. Images that misrepresent the truth, such as those from events or activities arranged specifically for photography, or of subjects directed or hired for photography, are not eligible.
Techniques that add, relocate, replace, remove or change any element in the original scene, except by cropping, are not permitted. The only allowable modifications are removal of dust, scratches or digital noise and restoration of the appearance of the existing scene, or complete conversion to full monochrome. Other derivations, including infrared, are not eligible.
Section 2: Theme (Human Interest):
Human Interest images are photojournalism images (see above) that depict a person or persons in an interactive, emotional or unusual situation, excluding sports action.
Digital entries must be entered using the online entry process found at https://www.coachella-ex.org/enter. CDs and email attachments are NOT permitted.
Subscribe to the Coachella/S4C combined mailing list.